Gut Instincts contains four horrific little tales. Call Me is about a man who thinks a night of passion is in store, but when he gets home, what awaits him is far from passion. In Patterson Road, a group of teens ventures to a wooded area rumored to have a hidden cemetery. They should have been careful what they asked for because in this case, that's exactly what they got. Speaking Ill of the Dead has a basic theme that karma is a bitch. And Trip has Terra, a struggling alcoholic looking for anything to decrease her stress. In all of these tales, characters had a bad feeling, a gut instinct, about what they were doing, but they didn't listen and paid the ultimate price.

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Medical doctor Dr. Sophie Heimbach is asked by her former mentor Dr. Ursula Stein to fly to an earthquake zone in Indonesia for the aid organization Mediziner ohne Grenzen to investigate the team leader there, the talented surgeon Dr. Kreusler. He has allegedly misappropriated aid supplies. On site, the two have to maintain medical care under the most difficult conditions. Then the earth shakes again...

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Joko and Klaas are teaming up against ProSieben. In this game show, the duo must duel against various team-ProSieben celebrities to gain an advantage in the final round. If Joko & Klaas emerge victorious, they can do whatever they want the following day for 15 minutes at 8:15pm, during prime time. If they lose the finale, their channel can decide on an adequate punishment - funny, embarrassing, or annoying.

Criminal Jan Starck assumes the identity of his police twin brother after his death. From then on, Jan will have to deal both work and private problems of his brother.

Klein gegen Groß – Das unglaubliche Duell is a family game show that has been broadcast on the first channel since 2011, on ORF 1 since March 2017 and on SRF 1 since November 2020. The format is produced by i&u TV. Kai Pflaume acts as host and moderator.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

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